Reviews

I haven't seen this one online yet, but there, we have it. Picture of another bottling in the same range. Colour: greenish gold. Nail? Copper? Patch? Nose: crème au beurre and rhubarb wine, rusty nails and screws, sweetened sour fruits, plastic bags (remember?), leatherette, sour cream… All that works pretty well on the nose despite all those rather deviant notes, but as far as the palate's concerned, well, we're scared now… Mouth: well, it works, but once again we're far from what was to be expected (before we saw the colour). Old sweet wines, old Sauternes, raisins, Tuscan vinsanto, stuff like that, all bottles being very old. Old pine liqueur too, linseed oil… Now the low strength does not obligatorily raise a problem. Finish: medium and actually pretty good. Imagine raisins macerated in old yellow chartreuse (except that this whisky is green, I mean, literally). Comments: sometimes whiskies come my way while they would never make it to the market. This is a very unusual yet very good whisky, the kind that you sometimes encounter while touring warehouses, valinch in hand. They tend never to come out, especially since the colours will scare off many potential patrons.
I haven't seen this one online yet, but there, we have it. Picture of another bottling in the same range. Colour: greenish gold. Nail? Copper? Patch? Nose: crème au beurre and rhubarb wine, rusty nails and screws, sweetened sour fruits, plastic bags (remember?), leatherette, sour cream… All that works pretty well on the nose despite all those rather deviant notes, but as far as the palate's concerned, well, we're scared now… Mouth: well, it works, but once again we're far from what was to be expected (before we saw the colour). Old sweet wines, old Sauternes, raisins, Tuscan vinsanto, stuff like that, all bottles being very old. Old pine liqueur too, linseed oil… Now the low strength does not obligatorily raise a problem. Finish: medium and actually pretty good. Imagine raisins macerated in old yellow chartreuse (except that this whisky is green, I mean, literally). Comments: sometimes whiskies come my way while they would never make it to the market. This is a very unusual yet very good whisky, the kind that you sometimes encounter while touring warehouses, valinch in hand. They tend never to come out, especially since the colours will scare off many potential patrons.

REGION: Speyside

The region of Speyside is regarded as the Napa Valley of Scottish whisky, with the highest concentration of whisky distilleries in Scotland. Among those distilleries, clustered around the River Spey which runs through the heart of this region, are some of the highest regarded whisky makers in the world. Speyside first started showing signs of its dominance in the 19th century, the result of its ready access to expansive barley fields, strong train network, and an excellent water source: tributaries to the Spey River. The Speyside region shows huge diversity in its produce, covering the spectrum from light, heather-rich ‘breakfast’ whiskies to the rich and fruity ‘sherry bombs’ characteristic of some of the region’s most exalted names.

Distillery: Glenlivet

The Glenlivet has been built on foresight, beginning with that of founder George Smith, who was one of the first distillers to apply for a license under the reforms of 1823. The best-selling single malt in the United States, Glenlivet is a whisky so renowned that nearby distilleries have tried to profit from the association. In 1881, George Grant Smith sued to prevent rivals from using the Glenlivet name; a compromise was met in that distilleries were allowed to use the Glenlivet name as long as they appended it to their own. Sir Walter Scott wrote that the spirit was “worth all the wines of France for flavour, and more cordial to the system besides.”